Natalie Portman deftly defies the genre conventions of what would otherwise be a predictable, unsettling melodrama about an unhinged ballet dancer who goes not so quietly crazy just as her career takes off. Because of Portman’s uncanny empathy for her character, the over-the-top camera angles and story lines of Darren Aronofsky’s The Black Swan aren’t quite as irritating … Continue reading The Black Swan
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